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CO. DURHAM

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CO. DURHAM

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CO. DURHAM

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CO. DURHAM CO.CREATED 🔈 CO. DURHAM CO.CREATED 📍 CO. DURHAM CO.CREATED 🌈 CO. DURHAM CO.CREATED ✊ CO. DURHAM CO.CREATED 👁

Engaging people across County Durham to choose, create and take part in creative experiences where they live in ways that last

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  • Close-up of an elderly person's hand holding a smartphone displaying a text conversation about Durham Digital Voice, with a partly cloudy sky in the background.

    ACTUAL REALITY

    In partnership with Google Arts & Culture and OGRE Studio, Actual Reality is a people-powered experiment in bridging the “Digital Divide” across the county. Part community-generated artwork, part action research project and part DIY digital accelerator, it’s powered by easy-to-ignore communities with challenges around digital connectivity and opportunity through social, economic, health, age and geographic infrastructure challenges.

  • A digital illustration of a fantasy portal with layered scenes including ancient ruins, a lighthouse by the sea, and an underground cave, with the text 'jump through a portal' and 'pier open the layers of the world' and 'the nano scene between dimensions'.

    Digital Residency: David Blandy & Petra Szemán

    “We ended up talking a lot about play and nostalgia. I think that the term nostalgia is a way of belittling the pursuits of childhood, of belittling play in general. For it is through play that we imagine other worlds, other possibilities, other ways to be”.

  • A small, colorful figurine with a face, sitting on a circular base, with a flower on top.

    Digital Test Commissions

    Discover the work of the most recent ‘NMN Digital Test Commissions’ artists.

    These commissions support creative practitioners to test and try digital approaches to their practice, particularly for artists who are participatory and socially engaged, collaborating with the communities of County Durham - Go BTS with artists; Beth Ross, Max Cooper-Clark, Meg McWilliam, Ruth Flowers and Izzy McLeod.

  • Black text and illustrations on a white background. The most prominent text is 'SCR' and 'A' with additional information about the event and location, including a map outline of the shopping center area.

    SCRAN

    A contemporary response from artists and communities creatively engaging with Gordon Matta-Clark’s ‘FOOD’ work, which centred around a cafe space functioning as an artistic project, a commercial enterprise, and a meeting place for art and community.

  • Side-by-side black and white portraits of two middle-aged men outdoors, both with short hair and light skin. The man on the left has a beard, wears large round glasses, a cap with a logo, and a dark jacket. The man on the right has short, wavy hair, wears a light-colored button-up shirt, and has a subtle smile.

    GOING BACK BROCKENS

    A collaboration between Artist Narbi Price and Writer Mark Hudson exploring themes around the 1984 miners strike and its legacy in County Durham 40 years on.

    Places were drastically different following the collapse of industry, hollowed of their identities, but despite such radical shifts they persevered and fought through - with historical and new stories to tell.

  • Little girl with curly hair and glasses smiling and lying in a colorful ball pit with multicolored plastic balls with a boy with blonde hair in a striped shirt next to her.

    YOU HEARD US

    ‘You Heard Us’ is a public art project led by Lizzie Klotz and Luca Rutherford, that demonstrates the power of community engagement and collaboration. Developed over an extended period of time, it involved more than 100 participants who contributed their voices, stories and energy. The project took place at two key locations: the Quaking Houses Community Centre and the Greenhills Centre in Wheatley Hill.

  • A collage of architectural drawings, 3D models, and construction planning elements, including site plans of residential areas, structural sketches of a spiral staircase, signs indicating proposed public housing, car park, and various construction-related objects and diagrams.

    Peterlee 75 - Digital Residency

    Immerse yourself in Andrew Wood’s ‘SeventyFiveThreads (ver 1.0)’ digital “game space” — Part of his NMN Digital Residency artwork reflecting on the realities and failed futures of the utopic aspirations of the new town of Peterlee as it reached it’s 75th birthday.

  • A group of children and a woman standing on stage holding a colorful banner with flower designs, smiling and celebrating.

    A SEAT AT THE TABLE

    'A Seat At The Table’ is a theatre project inspired by and made with residents connected to the Community Hubs that sustain many neighbourhoods across County Durham. Through collaborative workshops and powerful performances, the project gives voice to the challenges and triumphs of these essential community spaces.

  • An indoor living room and dining area with green vintage-style sofa, a coffee table with papers and mugs, a wooden sideboard with framed photos and decorative items, a vintage television, a round table with a tablecloth, a thermal coffee carafe, and six chairs with red cushions. The wall features framed black-and-white and color photos, a yellow poster with poem, and colorful artworks. A patterned rug is on the floor.

    NANA'S HOUSE

    Led by artist Ruth Flowers and co-curated by Zarah Worth, Nana’s House celebrated the position of women in a town named after a man.

    It wasn’t a gallery. It wasn’t a workshop programme. It wasn’t even an exhibition in the traditional sense. It was something else entirely - a public living room in Peterlee, a space to rest, remember, feel welcome and explore what happens when people are invited into a space to think about the older women in our lives.

  • Six young girls playing outdoors in the rain under a black umbrella, with one girl on another's shoulders, and all of them are holding hands or interacting, surrounded by a wooden fence and parked vehicles.

    BREAKING OUT OF EXPECTATIONS

    In the heart of County Durham, a groundbreaking project is challenging societal perceptions and empowering marginalised young people from the Gypsy Roma Traveller (GRT) community and those being supported by detached youth work, to find their voices, work with artists and create their world.

  • Group of people standing in front of a brick wall with a colorful banner that says 'Above Beyond Below'. Two children are in the foreground, one on a scooter and another walking.

    ABOVE BELOW BEYOND

    A collaboration between artist Jamie Holman and young people across East Durham, exploring heritage and hope for the future of shared spaces.

  • Me Lost Me performing On and Off

    'ON AND OFF' — ME LOST ME

    Listen to ‘On And Off’ by Me Lost Me (Jayne Dent). A sonic collage of oral history recordings of Shotton Colliery ex-miner, Steven Maitland - a glorious track balancing pulsating beats, electronic instruments and vocals, reflecting stories of disorientating cycles of shift work in mining.

  • Collage of a smiling young man’s face in black and white, overlaid with sports badges and text related to amateur soccer.

    DIGITAL RESIDENCY—THE BISHOPS, ALASTAIR FLINDALL

    A digital residency reimagining the local sports heritage of Bishop Auckland Football Club, its influence on the history of the sport and its deep-rooted connection with the communities of South West Durham.

  • A large group of people outdoors on a sunny day, some holding blue flags with the text 'Watchers by the Sea,' walking together amidst a green landscape under a partly cloudy sky.

    EVERYTHING THERE EVER WAS

    A magical, large-scale, participatory performance for Crimdon Dene, featuring songs, theatre, a live band and a huge community cast for hundreds of local people.

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